Damien Geter | Featured Artist
Photo Credit: Rachel Hadiashar
Damien Geter is an acclaimed composer who infuses classical music with various styles from the Black diaspora to create music that furthers the cause for social justice, as well as a celebrated bass-baritone – “amazing to listen to. Possessed of a rolling, resonant voice even at the lowest register” (Northwest Reverb) – whose varied credits include performances from the operatic stage to the television screen. He is Composer-in-Residence at the Richmond Symphony through the 2024-25 season, and serves as Interim Music Director and Artistic Advisor at Portland Opera, as well as the Artistic Advisor for Resonance Ensemble.
Geter’s rapidly growing body of work includes chamber, vocal, orchestral, and full operatic works, with his compositions being praised for their “Skillful vocal writing” (Wall Street Journal). In the 2023-2024 season, Des Moines Metro Opera presents the full-length world premiere of his opera, American Apollo, while Virginia Opera holds a workshop of Loving v. Virginia, a new major work co-commissioned by Virginia Opera and the Richmond Symphony which will premiere as part of Virginia Opera’s 50th Anniversary Season in May 2025. Geter’s Annunciation is featured on Chicago Symphony Orchestra’s concert Montgomery and the Blacknificent 7, and Richmond Symphony will premiere a brand new work, Sinfonia Americana, to be conducted by Music Director Valentina Peleggi. His song cycle COTTON, commissioned by Lyric Fest, will see its New York premiere at the 92nd Street Y, starring Denyce Graves and Justin Austin. Additionally, The Recording Inclusivity Initiative records String Quartet No. 1 “Neo-Soul”.
Future commissions include premieres at Seattle Opera and Emmanuel Music, and world premiere operatic productions in 2024, 2025, and 2026 at the Seattle, Virginia, InSeries, and Portland Operas. Geter will also have subsequent premieres at Richmond Symphony. Meanwhile, last season, COTTON was given its world premiere in Philadelphia followed by its Washington, D.C. premiere at The Kennedy Center, presented by Washington Performing Arts, and his motet was performed by Emmanuel Music. He also conducted his own piece, An African American Requiem, at Fort Worth Opera, plus led the performance of ABSENCE: Terence Blanchard with Portland Opera.
At the conclusion of An African American Requiem (commissioned by Resonance Ensemble) at the Kennedy Center, 2022
In 2022 alone, Geter had six premieres as a composer: His large work, An African American Requiem, in partnership with Resonance Ensemble and the Oregon Symphony with subsequent performances at the Kennedy Center; I Said What I Said for Imani Winds, co-commissioned by Anima Mundi Productions, Chamber Music Northwest, and The Oregon Bach Festival; his one-act opera Holy Ground for Glimmerglass Opera; Elegy for the American Guild of Organists; The Bronze Legacy for Chicago Symphony Orchestra; and the chamber version of American Apollo for Des Moines Metro Opera.
Opera Today praises his bass-baritone sound palette, which “is very much his own distinct voice, and invigoratingly fresh”, while The News Tribune calls him “superb”. In the 2023-2024 season, Geter portrays the role of abolitionist and historian William Still in Pulitzer Prize-winning composer Paul Moravec’s oratorio Sanctuary Road, presented by Virginia Opera, and based on the writings of Still, who is credited with helping nearly 800 enslaved African Americans escape to freedom. He also joins the Rembrandt Chamber Musicians in The Wayfarer’s Melodies: A Musical Journey, singing the John Ireland Songs of a Wayfarer cycle.
Last season’s performance credits featured the vocalist as Archibald Craven in The Secret Garden with Hawaii Opera Theatre, plus concert credits entailing Handel’s Messiah with North Carolina Symphony and Beethoven’s Symphony No. 9 with the Fresno Philharmonic. Favorite recent season highlights include Geter’s Metropolitan Opera debut in the Grammy award-winning production of Porgy and Bess as the Undertaker. He performed the title role of Quamino in the world premiere of Errollyn Wallen’s Quamino’s Map with Chicago Opera Theatre; as Angelotti in Tosca with the Portland and Eugene Operas; and as Sam in Reno Symphony’s Voices of a Nation: Trouble in Tahiti. In concert, Geter performed as the bass soloist in Beethoven’s Symphony No. 9 with the Richmond Symphony and in the role of William Still in Sanctuary Road with the Oakland Symphony.
On television, Geter made his TV debut in the role of John Sacks on NBC's Grimm and was seen in Netflix's Trinkets. Musical theater credits include Kevin Rosario in Lin Manuel-Miranda's In the Heights and Pontius Pilate in Jesus Christ Superstar.
Geter is an alumnus of the Austrian American Mozart Festival and the Aspen Opera Center, and was a semifinalist for the Irma Cooper Vocal Competition. He also toured with the prestigious American Spiritual Ensemble, a group that helps to promote the preservation of the American art form – the spiritual.
He is the owner of DG Music, Sans Fear Publishing. Music in Context: An Examination of Western European Music Through a Sociopolitical Lens, the book he co-authored, is available on Amazon, or directly from the publisher, Kendall Hunt.
Learn more about Damien and his work at the links below:
Damien appears on the following Resonance programs:
and formerly appeared on the following Resonance programs:
Hidden Voices (2018)
Commissions for Now (2021)
An African American Requiem (2022)
Black Art Song (2024)
MISSION 15 (2024)